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Saturday 3 September 2011

More on the History of Drama Therapy


History of Dramatherapy

'The modern use of dramatic process and theatre as a therapeutic intervention began with Psychodrama. The field has expanded to allow many forms of theatrical interventions as therapy including role-playtheatre gamesgroup-dynamic gamesmimepuppetry, and other improvisational techniques. Often, "Drama Therapy" is utilized to help a client:
  • Solve a problem
  • Achieve a catharsis
  • Delve into truths about self
  • Understand the meaning of personally resonant images
  • Explore and transcend unhealthy personal patterns of behavior and interpersonal interaction
The theoretical foundation of "Drama Therapy" lies in drama, theater, psychology, psychotherapy, anthropology, play, and interactive and creative processes.
In his book, "Drama as Therapy: Theory, practice and research," Phil Jones describes the emergence of the intentional use of drama as therapy as three-fold. First a long history of drama as a healing force with ancient roots in the healing rituals and dramas of various societies. The connection between drama and the psychological healing of society, though not of the individual, was first formally acknowledged by Aristotle, who was the originator of the term 'catharsis'. Secondly, in the early twentieth century, hospital theatre and the work of Moreno, Evreinov, and Iljine, marked a new attitude towards the relationship between therapy and theatre that provided a foundation for the emergence of drama therapy later in the century. Finally, influenced by experimental approaches to theatre, group dynamics, role playing and psychology in the 1960s, drama therapy emerged as a creative arts therapy in the 1970s.
Today, drama therapy is practiced around the world and there are presently academic training programs in Great Britain, Canada, the Netherlands, Israel and the United States.






  


  
Core Processes: Phil Jones has written in his book "Drama as Therapy, Theatre as Living" that there are 9 core processes at the heart of dramatherapy. These include projective identification and dramatic distancing. Projective identification is the process whereby a person feels the feelings that the other is unable to access themselves. Dramatic distancing refers to the way that emotional and psychological problems can be accessed easier through metaphor. The client has a distanced relationship through metaphor to these problems that makes them easier to tolerate.' wikepedia.org
 
 
 
 


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